Wednesday, March 21, 2018

Week 4: Cool and Black culture continued: Jazz

BEER: 

WHY PEOPLE LIKE COLD BEER
The worst beer I’ve tasted recently was an ale I had at a local craft brewery. A mouthful offered empty disappointment, the only feeling coming from the carbonation.

How did a good beer turn out so bad? Was it old? Nope. Poured carelessly? Not that I could tell. Served in a dirty glass? No. The problem was that the beer was too damn cold.

I’d ordered the beer at a good restaurant with a good beer selection, but the beer was stored too cold and worse, poured into a frozen mug. Drinking it was meaningless, disrespectful even. A new, room-temperature glass and my patience slowly defeated the chill and renewed the beer. But it’s sad to think that anyone trying a craft beer for the first time at this restaurant would experience something no more interesting than a cheap mass market beer and wonder why they were paying a couple bucks extra for it.

There’s practically no beer worth drinking that should be served below 40 degrees Fahrenheit. Some types of beer, like double IPAs and British bitters, are at their best around 55 degrees. But walk into any bar, even one serious about craft beer, and you’re likely to be served beer that’s close to freezing, often in a chilled mug.

Where did this practice of deep freezing beer come from? While the cold destroys the taste of good beers, it hides the problems of flavorless mass market beers. So, it’s no surprise that the corporate brewers who make Budweiser, Miller, and Coors fill their advertisements with images of frosty mugs, snowy peaks, and bikini women playing in fake snow.

My friend, the sensory scientist Sue Langstaff, makes a living thinking deeply about how our foods and drinks look, taste, and smell. She taught me the science behind the problems of cold beer: since key aromatic compounds cannot volatilize at lower temperatures, they won’t release their scent into the gas above the liquid. To put it clearly, the smell the brewer wants you to experience is suppressed; any fruity or floral flavor is literally frozen.

Drinks lose carbon dioxide as temperature increases, so the cold also increases the tingle of the carbonation. Freezing cold temperature is therefore ideal for the thin, tasteless beers flowing out of large breweries. The big brewers know their beer has little flavor or aroma, so their marketing stresses ice-cold refreshment. If the drink can’t provide taste, at least drinkers can feel something on their tongues when it’s hyper-chilled.


The need to serve different beverages at different temperatures is widely understood when it comes to wine and spirits. Even the dumbest waiter wouldn’t put a bottle of red wine in an ice bucket. But that knowledge just isn’t there, among servers and drinkers alike, when it comes to beer. And it’ll likely take some time to overcome the advertising showing beers stuck in ice chests and poured in cold mugs.


American Mass Culture
Week 4

The Jazz Age and the transmission of American

 

       But first……

       http://www.youtube.com/watch?v=ZJE-onnw2gM

What is Jazz?

Key elements of Jazz

       Improvisation (即興) in classical music, the performer tries to play the music as written in Jazz, no performance of the music is the same

       http://www.youtube.com/watch?v=FOh8kpuQuy4

 

 

What is Jazz?

Key Elements of Jazz

       Call and response structure: common in folk music all over the world the first musician calls, a second responds

       Africa http://www.youtube.com/watch?v=yrzZDDfPte8

       Jazz: http://www.youtube.com/watch?v=sq19BZRKmLI

       Rock and Roll http://www.youtube.com/watch?v=l_FZVD5lsAw

 

What is Jazz?

Key Elements of Jazz

       Polyrhythm

       http://www.youtube.com/watch?v=1qknrJthBZk

       http://www.youtube.com/watch?v=YoMs_8iduss

What is Jazz?

Key Elements of Jazz

       Syncopation

       https://www.youtube.com/watch?v=m9QnepxnMNU

What is Jazz?

Key Elements of Jazz

       The swung (swing) note

       https://www.youtube.com/watch?v=k9Kir1KAm8Y

Growth of Jazz

       1920s was when modern American culture was formed

 

       Explosion of technology transformed daily life: cars, home appliances, radio, phonograph, big sports, movies… and American popular music as global phenomenon

 

Growth of Jazz

       Prohibition 1920-1933

 

       Explosion of underground bars needing music

 

       Jazz suited “The Roaring Twenties”

 

Growth of Jazz

   

 

    Jazz comes from the music of African slaves transported to North America

 

Growth of Jazz

       Late 19th century – Habanera music from Cuba influences New Orleans music: rag and blues

 

 

       Jazz grows directly out of the Blues and Ragtime (http://www.youtube.com/watch?v=pMAtL7n_-rc)

       Habanera: http://www.youtube.com/watch?v=v3cJRiwf0Xo

 

       Blues:

       http://www.youtube.com/watch?v=D-YwCk6ANY4 (1926)

       http://www.youtube.com/watch?v=rsIATGsPZ4o&feature=related

 

Growth of Jazz

       1920: Mamie Smith releases "Crazy Blues." The record became a sensation, selling 75,000 copies in a month and a million copies in seven months.

       Starts the Blues craze.

       Bessie Smith “the Empress of the Blues”

       http://www.youtube.com/watch?v=8Who6fTHJ34

 

Growth of Jazz

       Word “Jazz” first used around 1912

       First Jazz album 1917

       1920s known as “The Jazz Age”

 

 

       Duke Ellington wrote the first extended jazz compositions;

       Louis Armstrong popularized "scat" (singing of nonsense syllables);

       Big Band Jazz and Swing

Duke Ellington

       http://www.youtube.com/watch?v=-FvsgGp8rSE

       http://www.youtube.com/watch?v=T0FDymSl4aw

Louis Armstrong

       Scat: http://www.youtube.com/watch?v=UZvqvNYJmC4&feature=related

       Ole Miss:

       http://www.youtube.com/watch?v=s7JHkAEh8Ds&feature=BFa&list=FLHT_rv15p2bYqB7xO9lY_7Q

Big Band/Swing

       Louis Prima song “Sing Sing Sing” performed by the Benny Goodman Band: http://www.youtube.com/watch?v=r2S1I_ien6A

       Swing Dancing
http://www.youtube.com/watch?v=EsxtGBMQGq4&feature=

       http://www.youtube.com/watch?v=myJj0mNNe1Y

 

       1930s Jazz Club
https://www.youtube.com/watch?v=chFQ4BPJQ6U

 

       The Talented Mr. Ripley 1950s

https://www.youtube.com/watch?v=MXtxR1gHZIk

Spread of Jazz

       During WWI first black jazz groups performed in Europe

       After the war thousands of Americans, including many famous writers, musicians, and poets, lived in Paris, spreading American music in clubs and bars in France

Spread of Jazz

Spread of Jazz

       French at first rejected jazz, it was African and American

       But later French musicians began to incorporate Jazz into their performances

       First French Jazz bands in 1930s

 

 

Spread of Jazz

       UK – first US band plays in UK in 1919. Jazz bands from 1930s, widespread popularity in the 1940s with WWII / US troops in UK

Spread of Jazz

       Germany – first experiments in 1920s but Germany too poor for wide development of leisure culture.

       1920s and 30s Germans saw Jazz as supporting freedom and democracy.

       After 1932 strong conservative pushback against Jazz. 1930s US performers begin to leave Germany due to widespread racism and growth of Nazi power. By 1939 Jazz was forbidden

 

Spread of Jazz

       African-Americans often saw Jazz as a response to White, European Power

       Europeans saw it in two ways:

      - lens of racism: expression of the primitive, African, black, mixing of races

      - American and Modern: “jazz came from the same country as Henry Ford” seeing jazz as “American” helped make it more acceptable (White and mainstream)

    EX: Jean-Paul Sartre: ‘Skyscrapers were the architecture of the future, just as the cinema was the art and jazz the music of the future’.

Spread of Jazz

       “I think many Europeans feel today that they have created a form of so-called jazz music which is equivalent to African-American jazz music. That’s another danger in using the term ‘jazz’ because if we call it ‘African-American music’ it localises it, it fixes it, its ours. So now they ask me when I go to Europe what I think of ‘Polish Jazz’ which is like asking me what I think of Polish slavery.  Because that music they call ‘jazz’ grew out of slavery. It grew out of our suffering, it tells our story, but nobody wants to look at it like that because that is too political.” (Archie Shepp in 1980, quoted in Menter 1981, 220)

Spread of Jazz

China:

       Du Yue-sheng ( 杜月笙), notorious head of Green Gang, orders formation of first Chinese Jazz band in 1935

       Communists banned Jazz in 1949

 

Spread of Jazz

Japan

       American bands played in beginning in 1920s

       Major influence: Filipino bands spread Jazz in Japan in 1920s. By 1924 Osaka had 20 dance halls.

       Gov’t and conservatives hated Jazz, foreign and black and American

       1930s – Japanese musicians create own style of Jazz using Japanese folk and theater music

       http://www.youtube.com/watch?v=KJB5vziPmLA

Spread of Jazz

Conclusions

-- Globalization of American Culture is experienced as American cultural hegemony   (霸權) in other countries

-- Locals respond by indigenizing (土著化). Take inspiration from local music and from each other rather than continually returning to US well ()

-- Similar process today: music comes out of African-American world as “cool” and is then mainstreamed. Then localized – Indian rap, Chinese rap, Taiwanese rap, Japanese rap


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